Steps of a Legacy: Art, Shoes, and the Journey Within #49 #cong24 #legacy

Synopsis:

This essay reflects on my legacy as an artist with a love for shoes. Each pair of shoes and each painting represents a part of my journey, carrying memories and moments that shape my story. Legacy, for me, is not about lasting monuments but about leaving honest, heartfelt imprints—marks that may fade over time but capture emotions and perspectives that continue to inspire me.

Total Words

1,080

Reading Time in Minutes

4

Key Takeaways:

1.Legacy can be a quiet but powerful trace of our journey**: Like footprints that eventually fade, our legacy is the heartfelt impact we make in the moment, meaningful even if it’s not permanent.
2. Legacy can be found in personal, everyday items: Even something as simple as a pair of shoes can carry meaningful memories, reflecting different stages of life..
3.Legacy isn’t always about permanence**: Leaving a legacy doesn’t require something monumental; sometimes, it’s the small, honest imprints we leave behind that matter most.
4. Our legacy is shaped by both presence and influence**: The people we touch, inspire, or challenge are part of what we leave behind, even if we’re not remembered by name.

About Trish Findlater:

Trish Findlater grew up in Co Westmeath on the River Shannon.
After an (BauhausArt inspired) Foundation year at GMIT Galway, she spent three years at the Fine art department of University of Ulster in Belfast graduating with a first class honour degree in Sculpture & painting 1983.
The following year Trish was awarded an masters scholarship to the Academy of Antwerp, Belgium specialising in portraiture, sculpture, painting and art history graduating with a masters in Art 1986. On her return to Dublin Trish established a very successful mural painting company which evolved into the world of interior design and eventually she engaged fulltime in Architecture working with various companies here in Ireland only returning in 2006 to complete a first class degree in interior architecture at Griffith college Dublin, finally setting up her own practice and continuing in design for many years.
Trish attributes her return to fine art to her late husband Alex who always felt she had a tremendous talent for it and now fully immersed. Her focus is primarily Landscapes and seascapes but tends to paint in both oils and soft pastels a variety of subject matter whilst painting ‘En plein air’. Her Solo exhibition last year ‘Grief’s dark seed and hope’s Blossom’ of 41 paintings in soft pastel inspired by her perennial and herbaceous garden was a triumph. The book of the same title was published subsequently with the addition of her poetry and winning the Silver gilt award at AITO Wexford in the same year firmly acknowledged ‘Trish Findlater, an artist of note.
“ I adore art, all genres of art, but I am expressly drawn to landscape and seascape and have made these my main focus in my painting and can carry the viewer to new places or evoke emotions & memories of previous locations.
My paintings often prompt emotional responses especially through the use of pastels ,their highly pigmented colours along emit light, texture & composition.

Contacting TRISH FINDLATER:

You can contact Trish by email or see her work

By Trish Findlater

Legacy is a word that carries weight, echoing forward from the lives we’ve lived and the impressions we’ve made. As a fine artist, my work naturally becomes a piece of my legacy—a silent, visual mark on the world. My legacy isn’t something grandiose or fixed; it is a collection of moments, thoughts, and images woven together, like brushstrokes on a canvas, waiting to be interpreted. And, somewhat unexpectedly, I realize that my love for shoes has found a place within this understanding of legacy, shaping how I step into and leave each moment.

Shoes are among the most personal items we own. They carry us, support us, and reflect our journey. When I think of my wardrobe full of shoes, I think of the stages of my life that each pair represents. There are scuffed sneakers from my days of long walks through cities, where I wandered alone, searching for inspiration. There are elegant, strappy heels that remind me of gallery openings, where I stood tall, hoping my art spoke louder than my words could. In this way, each pair of shoes represents a piece of my history, a small fragment of my story. And this, too, is legacy: it is the collection of places I’ve been, the things I’ve seen, and the imprint I’ve left behind.

My work as an artist is undoubtedly a significant part of what I leave behind, but I wonder if legacy truly lies in the permanence of things. A painting may hang on a wall, but its meaning evolves over time and with every new viewer. My art is a kind of whisper, a suggestion of the world as I’ve seen it. The colors, shapes, and textures I choose are expressions of emotions, observations, or questions I couldn’t articulate in any other way. Legacy, then, isn’t just about what endures; it’s also about what I contribute to the endless conversation of human expression and understanding. Like shoes, each piece of art carries a bit of where I’ve been, but each also walks forward without me, adding meaning through others’ interpretations.

Legacy, in a broader sense, is also about influence—the lives we touch, the people we inspire, even those we challenge. I don’t know if my art will be remembered a hundred years from now, or if anyone will even know my name. But in the present, I hope to leave behind a trail of empathy, a record of emotions felt deeply. My hope is that my art, like my shoes, carries people—maybe just for a moment—into a different experience or perspective.

Sometimes, I think of legacy as the footprints left on a well-trodden path. Just as I walk in the shoes of artists who came before me, creating and questioning as they did, I leave traces of my own journey. My shoes remind me that my legacy is not only my art but also my curiosity, my willingness to explore, to move forward with uncertainty and excitement.

In the end, my legacy might not be monumental or historic. It will likely be quiet, like a shoeprint in sand that fades over time. But it will be honest—a collection of places I’ve been, questions I’ve asked, and beauty I’ve sought to capture. For me, that is enough.

Does Reality exist free from the filter of Consciousness Thought , feelings or physical sensations ? #4 #cong23 #reality

Synopsis:

Does Reality exist free from the filter of Consciousness Thought , feelings or physical sensations ?

Total Words

857

Reading Time in Minutes

3

Key Takeaways:

  1. Quantum Reality
  2. Human Reality
  3. Chaos
  4. Order

About Trish Findlater:

Visual artist & writer resident in Cong for 12 years.I exhibit both here in Ireland & Abroad. I worked in Dublin & abroad as Interior Architect for many years and was very glad to return full time to visual art when an opportunity came about and I was able to move West with my late husband whereby restoring an old house and establishing a beautiful perennial garden.

Contacting Trish Findlater:

You can contact Trish by email or see her work

By Trish Findlater

I have to admit I don’t often stop to introspect about what reality really is, it’s such an ethereal thing for me.
Usually, we use the word “reality” to mean what seems to be, or facts filtered through a biased lens. But, it seems reality should exist independently of anything or anyone?

Should it be independent of people’s perception of what reality is, should it be free from thoughts, feelings, and physical sensations? These three elements could be disruptive to perceiving reality? So, what is reality then? Can we perceive reality in its true form, without the filter of our thoughts, feelings, and physical sensations. ?

Is Reality existing outside of us, nothing more,nothing less ? until we take a closer look through quantum physics.

It is said by science that reality is what is most fundamental, and that can be expressed through mathematics. In Quantum Physics reality can be perceived as both ‘a wave’ and a dot particle all at once ‘ a dual reality in one! ‘Is it like a tiny ball — or a wave.. or what’ (The New Scientist).

Quantum mechanics introduces the idea that subatomic entities, like electrons and photons, possess both wave and particle characteristics.
But what is ‘Reality’ for us humans on day to day bases can our experience and perception also have duality?

Could it be that the state of consciousness without thought, feeling, or sensation this nothingness, or blank sheet of existence, be our true reality, or a conscious,feeling, physical sensation also be our reality? Or just as in a Quantum reality both can exist in duality?

As long as we are injecting thoughts, feelings, and physical sensations into what we perceive, are we experiencing reality through a filter. ?

For an example, you see a chair. If you see the chair without any thought, feeling, and physical sensation interrupting or changing how you perceive it, the chair will simply be. Without thinking that a chair is a chair (or other thoughts), or feeling something for the chair, or having a physical response to the chair, it is experienced as intended. In fact, all existence is one—the separation is made in our minds.

Because we have given names to everything we interact with, because we have classified each living and non-living being we have encountered in its minutest detail, because we have delineated specifics and aspects of each thing we study, we have created a mass concept about the separation of things.
Reality is simply one existence, and that as mentioned previously can be proven by physics, which states; ‘ no empty space is possible (The Daily Galaxy).

Everything is connected, whether we like it or not.

The chair that I am sitting on right now to type this essay is connected to rocks on Mars.

Existence is a crowded place, but only if we conceptualise it as containing an innumerable array of entities.

Reality is whole, but it is also a place of contradictions. Though the universe is set to balance itself, it is also heading towards a state of chaos and disorder, expressed in the Second Law of Thermodynamics.

Though locally we can balance ecosystems and such, on the whole, our existence is gradually becoming more and more chaotic (Philosophy Stack Exchange). However, there are theories that the universe is cyclical, and a new universe would spring up after entropy would have increased to its maximum (Princeton University).

This may be only speculation, though. Even if the universe remained in disorder in the far future, we would all be a part of it. Looking back at the beginning, everything in its existence now was formed from the Big Bang—and as the famous phrase says, we are all stardust (physics.org). Each being that comprises reality carries on from the material from the Big Bang, all the way to the future maximum entropy. In essence, we are the Big Bang, and so is future existence.

From a chair to the whole universe, reality is the same. Without the injection of thoughts, feeling, and physical sensations, all reality is one. We can perceive reality in its true form by not using these injections. Can you imagine a world where people gave up their identifications? In my opinion, all the follies of human beings would be extinguished, and Earth would restore its balance, despite that in all probability, we are headed for universal disorder.

Purpose of Mind, Eye, Hand #28 #cong22

Synopsis:

In brief ; Purpose as I thought I knew it previously in my life , and finding a new abstract form of purpose.

Total Words

666

Reading Time in Minutes

3

Key Takeaways:

  1. Meaning
  2. Abstraction
  3. Visual
  4. Hand

About Trish Findlater

I started out in life after school attending Art college. Completed several years to Masters in Fineart.
Later in life I returned to architectural school as a mature student and subsequently worked in various practices and out on my own as an interior architect… I have since ‘cooled the jets’ as they say on my hectic design work and have returned to my art studio where I am presently preparing an exhibition of my art work which will coincide with book launch ‘ the theme the Seasons in a garden and the seasons of grief.
I also have a keen interest in Gardening, music, dance, yoga and Pilates.

Contacting Trish Findlater

You can contact Trish by email

By Trish Findlater

“Purpose is an active expression of our values and our compassion for others, it makes us want to get up in the morning and add value to one’s life and the world’*

The Power of Purpose FIND MEANING, LIVE LONGER, BETTER by Richard J Leider

Purpose as I thought I knew it was snatched away some years ago with the sudden death of my husband…suddenly the tectonic plates of my life it’s purpose, meaning and happiness were shifted severely beyond my grasp.
Painting especially when painting outdoors is slowly reigniting an new form of purpose within me ,it’s abstraction only clear to me when painting.
The French use the term En plein air’ to describe painting outdoors.

I was on a recent painting holiday in the south of France, each morning I left my hotel early, pochade in right hand and canvas in left out to paint ‘en plein air’. My mantra for the day playing in my head;

“Be patient, grateful and humble.

Just to have the opportunity to paint is a gift., and especially in this beautiful place Beaulieu Sur Mer, Côte d’Azur.

Stay grateful for the opportunity, humble to the task and, for heaven’s sake, be patient with yourself.

Keep your heart open and your hand sure.”!

En Plein air painting holds tremendous purpose for me, as an artist it allows me to capture the emotional and sensory dimensions of a particular landscape at a particular moment in time. It provides an escape from reality, a wonderful sense of belonging and community with my fellow artists.

Purposely enabling self-expression and self-awareness, providing a means for contemplation and reflection a source of entertainment and enjoyment especially when the composition,design colour and intent all come together to make what is a good piece of ‘ART’.

The best advantage of painting plein air is that all the senses are engaged and like happiness, the purpose of painting is not necessary alway to complete a profound piece of ‘ART’, but rather to practice and journey through shape, design, light and colour.

Finding a purpose is accessible at any age, and I have experienced this meaningful purpose especially painting outside, it demands of one to be willing to explore what matters and what kind of person you want to be and act to become that person if that makes sense ?

I am standing at my Pochade looking at the subject matter; the promenade, azure blue sea, bobbing boats, swimmers, children playing fetch with well groomed pouches, landscape, or a bustling cafe at the market Square, consuming all my concentration so much so a bomb could go off beside me and I would remain engrossed in my painterly 2 dimensional world!

I guess by setting up my paintbox, to create a painting with Sennilier chalks I am essentially making a first-class memory, through mind eye and hand.

I am always reminded of the artist ‘Paul Klee’s essay ‘The Thinking eye’. I read as an enthusiastic young art student ‘a hundred years ago’!