Connected Legacy #14 #cong24 #legacy

Synopsis:

We all have a legacy because we all impact by just being. We are tied to others and even if we are not very connected, our existence has an effect. We do not have to be the stuff of legends to leave an imprint. Often we are oblivious to our own legacy.

Total Words

805

Reading Time in Minutes

3

Key Takeaways:

  1. You will have a legacy without any effort at all.
  2. You may be conscious of a future legacy now or oblivious to your impact.
  3. Others see you now in a different light than you see yourself. Others will remember you in a way that you might never imagine.
  4. People will tell stories about you and have quiet memories they cherish.

About Ang Duffy:

I’m sitting up too late this write this post. I have a need for good sleep.
I have a positive outlook and probably a growth mindset.
I love to learn. I love to draw. I’m a scientist, an artist, a teacher, a futurist.
I am addicted to dark chocolate.

Contacting Ang Duffy:

You can contact and by email.

By Ang Duffy

My breadth escapes as a wisp in the December light. It’s bright, really bright, like the heavens are open. It’s quiet, a pause in time especially for her.

I’m on the front doorstep, surrounded by people. I am alone and together with all of them. They are all my people as far as my arms could possibly reach. It’s comfortable and warm to be there like that, surrounded by my family, happy and in awe on this sad, beautiful day. To my right, left, straight ahead, they are entirely of her making.

Resourceful and responsible, nothing went to waste. Sacks used for flour made perfect pillow cases, soften with washing and imprinted over time.

Every piece of clothing meeting with loving hands against a rough washboard. They were always well turned out, her five boys and three girls. Pride of appearance instilled young.

It seems she spent a spell in Dublin, working in her youth. Herself and my grandfather migrated gradually closer to home. At one stage they lived close to where I now do. Our firstborn’s looking out on the same world almost eighty years apart.

Her husband was local and rarely local, in England to earn for the clan. She was always there and more. In charge in the homestead like so many mothers.

A fail-safe system for guarding the kids; the youngest in a bucket, the next on a harness and everyone else taking pride in their accountable chore.

Famous flour bread fed dozens per day, in her day and mine. Flour bread for generations. Puddings in battered tubs each Christmas mixed in a bathtub on bended knee. Even the neighbours were never hungry. Four families of eight looked to her aid.

Christmas was twice over each year. The evening gathering at Granny’s the tale of movies with finest finery and new toys. Turkey, trifle and tricks at the card table. My uncles turned to boys again and their sisters abetting the card game deceptions. Every one of us in our perfect role at her table. That’s eight by two and each with a brood.

Annual correspondence and many foreign guests because she penned letters to family and friends scattered for years in various places. Letters and cards came all through December. Strung up alongside paper decorations, rows and rows of Christmas cards. She sent warmest ripples far and wide.

The telephone was useful but not overused. A link to old friends she had chatted with for years. A connection for us children studying away from home to an anchor of our youth.

With respect, us children peaked in the cupboard where the treats were stowed. It was never empty. Rarely removed but anticipated and gifted. So much love given in so many ways.

She smelled of wild roses, graceful with gentlest touch. A lady. The only tension that gripped her was in the grind of a game. Picking and side and staying so steadfast to support every move. Reveling on Sunday over Match of the Day.

Her own progeny well known on the field. There were jerseys and shorts, sticks, skirts and balls, quiet encouragement and passionate regret.

In between seasons her staple was snooker, watching Irish players on the world stage. She had her favorites. Her patience even greater than theirs.

Soft hair, soft hands, softest heart, so capable. Eight children, eight couples, twenty four grandkids, forty eight great grandchildren and counting……
….many more lives enriched….a legacy.

We all gathered in December when she said goodbye. In the sunshine, which seemed fitting. To my right, left, straight ahead, family, friends, people as far as the eye could see in front of the doorstep of home.

A Lovely Legacy of Roaming the Twitterverse #13 #cong24 #legacy

Synopsis:

Legacy can mean broad and lofty, but it can also mean personal. The latter is easier to download and keep with you as you roam.

Total Words

780

Reading Time in Minutes

3

Key Takeaways:

  1. Just one takeaway – just knowing good people are out there somewhere in the world, doing good things for the world, is legacy enough for me

About Mags Amond:

Who is Mags right now? A retired teacher. A PhD of Trinity College Dublin School of Education. A Treasurer of CESI, Computers in Education Society of Ireland. A Steering Committee Chair for OurKidsCode projest.

Contacting Mags Amond:

You can contact Mags via email

By Mags Amond

This blog post [with apologies and thanks to the B-52s] is my 2024 entry to CongRegation, the annual unconference held in Mayo Ireland each November. The cost of entry is thoughts translated into words on a theme. Each year as we leave, the theme for the following year is announced by convenor Eoin Kennedy. This year the theme is Legacy.

Thinking since last November about Legacy as a theme for Congregation 2024 has been daunting. Darn it, Eoin, I think – It is too broad, too lofty, for me. Too many meanings. Then something happens that makes me think about legacy at a more local level. A while ago I realised I’d have to leave the Twitter site (I’ll stick with that name, it is the version whose legacy I’ll speak of) which is increasingly tainted with toxicity . It isn’t what I signed up for any more, and today it is time to go.

‘I hear a wind
whistling air
whispering in my ear’

Walking away from Twitter is a very difficult thing to do – because of how important it has been to me for fifteen years. I signed up early 2009 after seeing how well it worked as a backchannel to TeachMeets, connecting those far far away with the people in the room (long long before the pandemic version of forced hybrid). A huge part of the Twitter legacy for me is the magic of its synbiotic evolution with TeachMeet ( yes, looking at you, @EwanMcIntosh !).

I loved the constraint of the early 280 sms-length tweets, though I hated the name. Very quickly it became a simple but potent way to learn, to discuss, to have the craic, to get the real news behind the news. The stickiness of a hashtag is the richest part of the legacy for me e.g. the runaway train of Monday night #EdChatIE conversations; how the #teachmeet, #CESIcon, #Turtlestitch, #CongRegation, and a myriad other timelines enabled chronicling of events although they were far far away. [On the darker side, I’m convinced that what tipped the outcome of the 2016 referendum next door was just that #Brexit was much much sexier than #Remain].

I have been roaming about in the fediverse, at mastodon social, for two years – it is very different but in a good way for me. It is quietish, and a bit clunky, but the mastodaoine are welcoming and I have learned and enjoyed a lot already. Most importantly, as was Twitter fadó fadó, it is open.

‘take it hip to hip, rock it through the wilderness’

The main thing that delayed my leaving Twitter behind until now was wondering how to keep contact with others of the diaspora, people I’ve come to respect and care for. But I reckon we’ll find each other when we need each other; I hope to see some of you in Cong next month. But even if we don’t meet again, just knowing you are out there somewhere in the world, doing good things for the world, is legacy enough for me today. I owe you all.

‘roam if you want to, roam around the world
roam if you want to, without wings without wheels
roam if you want to, roam around the world
roam if you want to, without anything but the love we feel’

ps – one thing I will miss seeing are my profile pictures. The banner is an array of glowie critters we made at a #MakerMeet in Thurles, the profile itself is picture of a gang of us in Dublin Castle on the day of days when our conference intersected with the #MarRef count in 2015, overlaid with branding of #CodeWeekEU. So I’ll just hang it here for now …

“Legacy of the Twitterverse” by Mags Amond is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Roam, “Cosmic Thing” (1989). B-52s. © Kobalt Music Publishing Ltd.
Writer(s): Frederick Schneider, Catherine Pierson, Cynthia Wilson, Julian Strickland, Robert Waldrop

The Parting Glass #12 #cong24 #legacy

Synopsis:

The theme of Legacy fits into my thought process lately. I find it poignant for the times we are living in, as we see our world changing along with our friendships, wishing those old friendships well, but falling away for a new beginning.

Total Words

769

Reading Time in Minutes

3

Key Takeaways:

  1. Be Open to a Different View
  2. Leave a ‘Legacy’ of Love and Healthy Family Ties
  3. Thank you Eoin! What a Legacy!
  4. The Parting Glass

About Ginger Aarons:

Ginger is the founder of Time Travel, LLC … often called Time Travel Tours. She offers bespoke travel to Ireland & The British Isles. Also offering personal, bespoke requests for family genealogies. Passionate about what she does by offering a way to learn while you travel, introducing the best of the best in Ireland in what they do, offer and teach with common philosophies, ethics and goals for the world. She is also a travel and foodie writer for several magazines and online magazines. Often referred to as the one that knows everyone, she is a connector and one that is always making a connection for someone, because to her, that is what it’s all about.

Originally from South of the Mason-Dixon Line, and after 30 years, she has become an all-around Portland girl that loves the fact that she gets to live and work in two of the best places in the world, the Pacific Northwest and Ireland … what could possibly be better?

Lover of music (it DOES make the world go ’round.. not money), a supporter of the arts, do-gooder, Masterpiece Theater watcher since the age of 12, a supporter of the historic house, genealogy nut, and avid antique collector..

Contacting Ginger Aarons;

You can connect with Ginger on LinkedIn, Facebook, Twitter, Instagram, Time Travel Tours or you can email her.

By Ginger Aarons

As I ponder the theme of Legacy, I have been proud to be a part of this group of ‘free thinkers’ for the past 10 years.

We all leave a legacy, intentional or not. This is one I will always cherish.

In the past few congregations, I have been relegated to the bookshop, on a shelf via Zoom, to join in as my choosing to stay for our American Thanksgiving, one of my favorite holidays becomes part of my legacy for my children. Now that my parents are gone, showing up for my family is prominent in my life as the new matriarch of my own family. We have chosen a different legacy to leave in changing the way our family exists, leaving the games of those who came before us behind for a better way. We are a no-drama family, well not much anyway. My niece is doing the same in her own family. A conscious decision to make a difference in what our legacy will be. Family. No drama. Love. Understanding. Discussion. Different points of view are welcome. Emotional intelligence.

*Note – Thanksgiving falls on the same weekend as Congregation.

I think back to when I first met our fearless and tireless leader, Eoin, and his wonderful family. A family that has open discussions and dialog. He has created an unconference to point the way for open discussions where we can all have a voice and an opportunity to express ourselves in many different ways. From singing, storytelling, musical instruments, poetry, craft, drawing your notes instead of the painstaking writing of them, education, tech, and virtual reality, just to name a few. We’ve all learned and grown from this process of the unconference. One environment where we are free to talk about almost anything, for this, I thank Eoin for leaving a legacy of acceptance and love.

To those that are just joining Congregation: Keep an open mind. Encourage all discussions. Learn from each other and your unique experiences of life and learning. There is much to be gained from each other if you keep an open heart and an open mind to a different view. Remember that being a newbie is good for the ongoing vision of Eoin’s unconference and Congregation as a whole.

As I part this year from Congregation, I wish you all well and in the best of health and love.

You’ve all inspired me in many different ways. My parting hope is that you will not let political bias get in the way of open discussions of all topics. It only causes an echo chamber where innovative thought and processes are halted.

So, fill to me the parting glass, Goodnight, and joy be with you all.

Legacy & the Artist #11 #cong24 #legacy

Synopsis:

Art captures emotions, experiences, and ideas, but its legacy is unpredictable and beyond the artist’s control. While some artists like Van Gogh or Vivian Maier achieved recognition posthumously, others, regardless of their efforts, may see their work fade or be rediscovered with changing cultural values. Historically, female artists faced barriers that limited their impact, as their contributions were often overlooked or dismissed. Artists should focus on authentic expression rather than preoccupy themselves with legacy, as it unfolds naturally. Once art is shared, it belongs to the world, shaped by audience interpretation and the passage of time.

Total Words

1,216

Reading Time in Minutes

5

Key Takeaways:

  1. Legacy is Unpredictable: Artists cannot control how their work will be perceived or remembered due to cultural shifts, and changing values over time
  2. Art is About Expression, Not Control: The true role of the artist is to create from a place of honesty and passion, responding to their personal and external experiences.
  3. Historical Barriers for Women in Art: many women’s contributions were overlooked or attributed to men, delaying the cultural shift toward a more inclusive and diverse art world.
  4. Family and Market’s Role in Legacy: After an artist’s death, the family or market can significantly influence how their legacy is maintained or shaped.

About Zanya Dahl:

Born and raised in Dublin, I spent 17 years running a successful branding and design agency before deciding to pursue a lifelong passion for painting. At the end of 2019, I committed full-time to my artistic practice while also delivering creative workshops to leadership and management teams.
I am often seen cycling my bike around Dublin and very much enjoy being mother to two amazing girls.

Contacting Zanya Dahl:

Zanya’s art can be viewed via ZanyaDahl or on Instagram.

By Zanya Dahl

Art captures experiences, emotions, and ideas in the moment, but its lasting impact — or legacy — is often beyond the artist’s control. As artists, we focus on expressing what resonates with us now, not on how our work will be perceived in the future. While we might wonder whether our creations will endure or speak to universal truths, it’s ultimately a waste of energy to try to shape that outcome.

Once a piece is completed and shared, it takes on a life of its own, subject to the interpretations and biases of the audience, critics, and the passage of time. Legacy, then, is unpredictable. A work may be celebrated, ignored, or misunderstood, and these judgments can shift dramatically as cultural values and perspectives evolve. What resonates in one era may fall out of favour in another, or vice versa.

All an artist can do is create from a place of truth, responding to their inner world and external environment. Once the work is released into the world, it becomes something else entirely, shaped by how others experience it. Creation is about expression, not control, and an artist’s legacy will always be a mystery, unfolding in ways we can never predict.

In van Gogh’s case, the unpredictability of legacy is most apparent. During his lifetime, he struggled with both his mental health and financial instability, selling very few paintings. Despite this, van Gogh persisted, painted obsessively, driven by his need to express his internal world and his connection to nature rather than any conscious concern for legacy. Yet he posthumously became one of the most celebrated artists in history.

Similarly, photographer Vivian Maier, who never sought recognition, became famous only after her work was discovered. Primarily a live-in nanny and caregiver, she only printed a tiny fraction of the hundreds of thousands of images of bustling city life she snapped over the course of fifty years. She showed them to almost no one, amassing boxes and boxes of negatives and undeveloped film. There’s no indication that she ever tried to sell or showcase her art. It seemed to be a form of pure creative expression without concern for an audience. Her recognition came after her death, sparked by the sale of her Chicago storage units at auction in 2007, when she stopped paying rent. It’s another reminder of the sheer unpredictability of legacy.

Historically, female artists faced great challenges in leaving any legacy of their creative soul. Barred from formal training and prestigious exhibitions, their contributions were often overlooked or attributed to male relatives. As a result, their work had limited impact on the broader art world, and their absence hindered the cultural shift that might have inspired other women to pursue creative careers Their absence from the public domain delayed the cultural shift that would have empowered more women to embrace art, limiting the richness and variety of artistic expression in history.

In contrast, some contemporary artists actively cultivate their legacies. Sean Scully, for example, has built his reputation through unabashed self-promotion and clever control of his work’s supply and demand. Yet, despite his efforts, his long-term legacy remains uncertain — will his reputation endure without his active involvement? Maintaining an artist’s market value after death requires ongoing exhibitions, academic discourse, and a continuous presence in the public eye. This is no small feat, especially considering the constant shifts in the art market and changing tastes among collectors and institutions.

In light of this, it’s interesting to consider the role families play who inherit the work of an artist. In some cases, the value of the work can skyrocket after the artist’s death, creating newfound wealth and recognition for the family. However, this can also bring unexpected responsibilities. For some, it can become a deeply fulfilling mission to keep the artist’s spirit alive through exhibitions, sales, or public recognition. Others may feel the weight of preserving their loved one’s artistic legacy, ensuring that the work continues to be appreciated and valued by future generations.

In stark contrast to Scully’s approach, Banksy has earned a legacy by challenging legacy using subversion, anonymity, and social commentary. His street art, often altered or removed, emphasises impermanence over preservation. His “self-destructing” piece, “Girl with Balloon,” sold for over £1m, solidified his reputation as an artist who rejects conventional notions of art’s value and legacy, making the impact of the moment his primary concern.

As for my own work, I have no expectations about its future. The art I’ve created is an expression of my voice, vision and spirit. If it shifts perspectives or inspires others, that’s a truly wonderful thing, but I won’t be around to control or judge what happens after I’m gone. My daughters will inherit my paintings, and they are free to do what they wish with them. They may sell them, give them away, keep them or do a mix of all three. Some pieces may hold sentimental value, just as my father’s hand-crafted furniture does for me.

Every creator, whether known to the masses or not, plays a role in the evolution of their field. The ripple effect of every artistic endeavour, no matter how small or seemingly unnoticed, contributes to a larger creative ecosystem that is continuously evolving.

Legacy, then, is not something for an artist to preoccupy themselves with, as it unfolds naturally through their work. The impact they leave happens of its own accord, shaped by the authentic expression of their creativity, often in ways they may never anticipate.

Legacy and Fear of Death #10 #cong24 #legacy

Synopsis:

Legacy is often understood in terms of inheritance, but it holds a broader meaning tied to the lasting impact we leave behind. While many view legacy as a monumental achievement, the drive to leave one is often rooted in our fear of death and desire to live on by proxy. However, not all legacies need to be grand—small, personal impacts on others can carry just as much significance. Ultimately, legacy is about the effect we have, whether noticed or not, and we all leave one behind, whether we intend to or not.

Total Words

511

Reading Time in Minutes

2

Key Takeaways:

  1. Legacy is about lasting impact, not just material inheritance.
  2. The desire to leave a legacy often stems from our fear of mortality.
  3. Small, personal actions can create meaningful legacies.
  4. Everyone leaves behind some form of legacy, whether they realize it or not.

About Craig Browne:

My name is Craig Brown. I am from Nova Scotia and have been living in south Galway since 2015. I am the founder of StratifyLearning.com.

Contacting Craig Brown:

You can connect with Craig on LinkedIn.

By Craig Brown

Legacy is one of those words we think we understand intuitively, but when we take a closer look, it turns out to be a bit fuzzy. What exactly does it mean? Specifically?

Most dictionaries start with the idea of inheritance—leaving behind money or assets in a will. But there’s a much broader interpretation, and I think the Oxford English Dictionary sums it up nicely: “A tangible or intangible thing handed down by a predecessor; a long-lasting effect of an event or process.”

That got me thinking more broadly. Why do we care about leaving a legacy? Should we even care? Frankly, the idea of creating something grand and impactful enough to resonate through the generations sounds like a lot of hard work. Do I really want to spend my life trying to craft something that will outlast me? Honestly, no thanks. It sounds exhausting.

Over time, I’ve come to the conclusion that our concern with legacy is deeply tied to our fear of death. Leaving a legacy, in whatever form it takes, feels like a way to live on by proxy. It’s an attempt to transcend our physical end, to create something that will carry a piece of us forward.

But here’s the thing: not all legacies are monumental. We don’t need to build an empire or make a world-changing discovery for our lives to leave an imprint. Legacies can be small, personal, even unnoticed by the masses. It could be a positive influence we had on a single person, a kindness that echoed in ways we’ll never fully understand. We don’t always get to choose how our legacy unfolds or how it’s remembered—if it’s remembered at all. But maybe that’s okay.

In the end, it seems to me that legacy is less about immortality and more about the impact we have, however small or fleeting. Whether we care to or not, we’re all leaving something behind.

Two Treasures #9 #cong24 #legacy

Synopsis:

In light of the current climate crisis, i’m at a loss for words on legacy , please watch this instead

Total Words

170

Reading Time in Minutes

1

Key Takeaways:

  1. Not knowing
  2. Now-ing
  3. More imagination
  4. Less Stuff

About Moshe Cohen:

Moshe Cohen is an internationally respected teacher, performing artist and sacred mischief maker. He has toured his Mr. YooWho show widely in theaters and festival around the world (50+ countries/1000+ performances). An early pioneer of the Clowns Without Borders movement, and co-founder of the Zen Order of Disorder (OD), Moshe currently works with the Medical Clown Project in San Francisco bringing laughter to both elders and children in institutional settings. He continues to occasionally travel internationally to teach workshops. He teaches both performers and laypeople, in clown/theater schools as well as spiritual/zen centers.  He also brings humor and lightness trainings into the workplace and educational institutions.

Contacting Moshe Cohen:

You can contact Moshe by email

By Moshe Cohen

 

 

To Read and Be Read #8 #cong24 #legacy

Synopsis:

Knowing that I will soon fade from the teaching timetable, perhaps my legacy should be simply advocating the joy of reading.

Total Words

450

Reading Time in Minutes

2

Key Takeaways:

  1. I am counting the number of Mondays left in my teaching career.
  2. There seems to be no corporate interest in save the core intelligence of my teaching.
  3. Along the way I learned the joy of critical thinking.
  4. I want to teach my youngest the joy of reading. That will be my legacy.

About Bernie Goldbach:

Bernie is an olderpreneur who is changing lanes into youth media.

Contacting Bernie Goldbach:

Read Bernie’s Monday reports at TopGold or ping him directly via LinkedIn. He uses the @topgold handle on all good social networks.

By Bernie Goldbach

I AM COUNTING down the number of Mondays remaining in my university teaching career and with around four dozen Mondays on my academic schedule I’ve started thinking about what I will leave behind and who would be interested in the remnants of 25 years of my teaching on the same campus. I’m journaling these thoughts as part of an enjoyable secondary learning experience (something I learned from Mark Guerin of Leargas).

I reckon the small building holding eight classrooms that are viewable through the red anchor on campus will still be standing well beyond its useful life. And the information technology infrastructure will keep ticking over. In fact, the IT services will undoubtedly improve while the building’s roof continues to leak.

It’s those IT services that concern me–in a good way. I’ve uploaded and refined more than a terabyte of high quality academic material onto the campus SharePoint services. I can search that material with standard finder tools as well as with Microsoft Copilot’s large language library. But since the Office Graph has not been enabled for our information services, it’s unusual for anyone to serendipitously discover what I’m teaching. And that means very little cross-modular collaboration between lecturers and researchers.

Invisible Legacy with Office Graph Shut Off

I’ve often wondered if I should petition Science Foundation Ireland for PhD funding to study this shortfall in academic institutions. I know that most items I express about Creative Commons sharing through Open Education Resources falls on deaf ears. And I also know there’s a hornet’s nest just underneath any discussion about ownership of academic materials. These are some of the sentiments underpinning the reason for limited discovery of emerging material across all the higher level academic institutions in Ireland.

Knowing these deep-seated sentiments, I wonder if I can ever hope to leave behind a polished legacy. This is the idea I’m sharing during Congregation.

 

 

Legacy, You, Me, CongRegation and Everybody #7 #cong24 #legacy

Synopsis:

Does our legacy matter in the bigger scheme of things.

Total Words

523

Reading Time in Minutes

2

Key Takeaways:

  1. Digital legacies are fragile
  2. We can’t control how we are remembered
  3. Hard for anyone to curate their legacy
  4. Plant more trees

About Simon Cocking:

Writer, editor, tree planter, music lover, ex-ultimate frisbee player, trying to see the beauty and be pleasant to be people, unless they really, really, need to be told otherwise.

Contacting Simon Cocking:

You can contact Simon by eMail.

By Simon Cocking

No one wants to be forgotten, but as we all know, death and taxes are unavoidable eventually. Some try to fight this, while most of us aim not to be King Cnut-like, shouting at the incoming sea. Therefore does it matter, a hundred years from now we have no control of how we are remembered. As ecologists have found, the shifting baseline misplaced narrative means it is very difficult for people to even consider how things might have been, even before their own childhood, let alone several generations earlier.

Initially we may think we are more fortunate than previous generations due to the digital possibilities for laying down memories and traces. This is superficially true, until corporation x or y decides to reboot its terms of service agreements. All those wonderful witticisms and random photos you posted, (some might say spammed), to your friends and family, may now no longer be viewable. When you consider the number of digital platforms that have gone by the wayside, it is probably the norm to assume that they may not last more than one or two generations. At least handwritten diaries and printed photographs have the ability to last for many decades, give or take the vagaries of how they are treated and stored.

Does legacy even matter? We can’t compel anyone else to remember us, and even our own family, after two generations will have less and less to hang their memories upon. Great artists will live on via their music, words or deeds, Sinead O’Connor, Frida Khalo, and whoever your own personal favourites are. At the same time they will also drift in and out of fashion and popularity too, competing with other trends, moods and flavours. It is hard to even curate your legacy, as artists have their ups and downs, yes looking at you Bob D here.

What about for the rest of us? Well planting trees does seem like something that is always worth doing. Sure they may not all survive, but if you lay 50 to 200 down on a regular basis, you are at least priming the pump to try and leave something behind. Perhaps also treading lightly too is a worthwhile goal, simply trying to do no harm as you move through life and interact with people, animals, nature and places. In many ways humanity has done so much damage to the planet maybe we should be thinking about how to leave as little legacy as possible, rather than carving out yet another human scratch on the surface of the earth.

 

 

Legacy: Making Your Mark #6 #cong24 #legacy

Synopsis:

Two comics of seagulls discussing their legacy.

Total Words

74

Reading Time in Minutes

<1

Key Takeaways:

  1. Nobody is watching.
  2. Nobody cares.

About Alan O'Rourke:

Mild-mannered marketing man by day. Caped Children’s Book maker by night.

Experienced business and marketing director working across the creative and tech sectors for over 20 years.

Contacting Alan O'Rourke

@AlanORourke on your favourite platforms.
Www.spoiltchild.com

By Alan Costello

Tomorrow’s Legacy Today #5 #cong24 #legacy

Synopsis:

. Using legacy as a trope for looking at more current events
. Considering wider cultural and societal impacts of legacy, maybe more so than more strictly defined personal motivations
. Building on an intergenerational trauma model to propose a newer, empathic, healing modality.

Total Words

735

Reading Time in Minutes

3

Key Takeaways:

  1. Move past the legal utility of legacy
  2.  Consider today and tomorrow, not just yesterday
  3. Legacy impacts can start as butterflies flapping wings
  4. But in starting small, legacy compounds!

About Alan Costello:

Climate venture capital @Resolve
Nature, biodiversity
Golfer!

Contacting Alan Costello

You can contact Alan by email or follow him on Twitter and LinkedIn or see his work with Resolve Partners.

By Alan Costello

Legacy. The origin doesn’t come from the word ‘legend’.
From the ‘auld latin – to legate, to send someone in your place. An Ambassadorial role. One who represents your interests.

I guess we often think about legacy as that which you leave behind, your effect on a thing. But its also current, what impact do you leave on those near and metaphorically near to you, now, today.
What are you doing now that creates legacy around you, that creates lasting impact that will impact on peers as well as future generations.

Of course, it could be bad legacy. You could be one of the people that balls’ed up Lough Neagh. Or voted for Trump. Or who indulged in whataboutery about this incident, this event, that war, and in doing so diminished good, fair thinking and decision making ability.

Or it could be good. You could be the one who led your Tidy Towns, who taught tolerance and independent thinking, who guided impactful innovation around you or you could be one who reached out a hand of friendship and support where it was needed.

Maybe you acted on one person or maybe you acted on millions. Your legacy, your impact, your resonance in the world is each and every persons own thing. I dont mean this in an egotistical sense, although it is related too.

Perhaps you think about creating little ambassadors, who follow in your footsteps. Thats usually true for legacy, although we probably increasingly recognise the choice to not do this, or the inability to have children to warrant an updating of that element of the concept of legacy. Propagating your genes or your name onwards – hopefully we might have begun to leave the pressures and foolishnesses of that in the past.

Leaving A legacy, the definite article of it, often refers to financial terms, leaving your estate to whomever you do leave behind. Is it large or small. Was it used purposefully while you lived. Will it be now that you are gone. Was that in your mind or that of Governments. Buffetts Giving Pledge comes to mind, and opens ideological questions too.

Another concept that comes to mind for me with legacy, is that of intergenerational trauma. I suspect this audience is likely more familiar with the concept. Where traumas have occurred, they can be seen through the parented effects on the next generation, which can further appear in later generations. We have seen this concept discussed in terms of the Troubles in Northern Ireland, of economic adversity in some regions and historically in the famine and its possible effects still held today. A study reported this week discussed the effect of early experience of bereavement leading to premature biological ageing.

I then wonder about what should exist by the same token, the intergenerational healing.

What would be the effect on future generations of our individual and cohesive efforts towards positive impacts on sharing different wealths to our direct and wider community.
Consider the Good Ancestor Movement.

I am minded, practised and desiring to consider scaling and global sized efforts.
When I think financial models, I think about leveraging to wider audiences through appropriate gifting.
When I think about community impact, I think about integration of global populations, of the built environment, of shared learnings, of the cultural and sporting tools at our fingertips
When I think about legacy, I think about our world, our planet, our nature, our peoples role as a living partner
When I think about impact, I might think about intergenerational healing and growth

Legacy, doesnt come from the word legend, but that doesnt mean you cant be one!